Alrighty this is going to have to be short and sweet. I am just back from a week in DC, learning about cool public health things at a conference and having ridiculous amounts of fun. But now I am super sleepy! But we did get a decent response from our nominators for songs this round, which is great. Happy voting!
Votes are due Friday, Nov. 4 by 10pm EST. Please see the Grooveshark link for our match-ups, except for Hugo, which is available on YouTube.
Bad Romance (Lissie) vs. Black Magic Woman (Santana)

Clearly this is an awesome album cover.
Bad Romance was nominated by James. UPDATE: Here’s the blurb – A cover can be considered interesting when it takes a different tone, cadence, or genre and reinterprets the original, hell, it can even be considered great. The reason I nominated Lissie’s cover of “Bad Romance” is that I flat out believe it more. It’s not all that different from the original but a folk/alt/country gal belting out her undying desire for a bad lovin’ man resonates. It’s a stripped down cover and her voice breaks and strains in a way that the hyper-produced original never approaches. Add that to a very simple video and a more lively breakdown and the gaga jumble speak even sounds like it was meant to be more bluegrass than dance trash. Dear Lissie, I would like some of your bad romance as well. Call me. Also, check out this video:
http://www.youtube.com/watch?v=MWe07krS8_E&feature=youtube_gdata_player
Here is the story for Black Magic Woman, from AdamS: ” Fleetwood Mac, and Peter Green specifically, wrote a song called “The Green Manalishi” which, quite honestly is terrible. However Judas Priest picked it up, added some crunchy guitars and all of a sudden it become a little fiendish and a lotta cool. However you all would have hated it. So I was flipping through some old Fleetwood Mac stuff where Peter Green was the writer, and I remembered that they wrote Black Magic Woman. The original is unbelievably inferior, though still pretty cool. On top of that, it made the first ever mix CD i made in high school at the dawn of Napster (or well, shortly after the dawn, as I was behind the learning curve). In fact, it was track 1 (I still have the CD). One of the best guitar driven songs I can think of, lots of instrumental, and yet I’ve never felt like the vocals aren’t a key to the song. All in all a tough package to accomplish.”
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